There’s something missing from the new Star Wars trilogy, and without it, none of the characters can find satisfying closure.
Cobra Kai’s pilot episode shows why every villain thinks he’s the hero of his own story… and why he’s also his own worst enemy.
From Lost to Game of Thrones to The Rise of Skywalker, the “mystery box” style of storytelling is coming up short. Here’s why — and how to fix it.
The final episode of Game of Thrones leaves no one entirely happy… and that’s exactly the way it should be.
In the penultimate Game of Thrones episode “The Bells,” the show explores the ugly side of war, power, and consequences — but is it good storytelling?
Avengers: Endgame owes its success to one word: character.
Overusing this soap opera writing trope will turn your story’s drama into comedy.
Laika’s biggest animated fim is missing a crucial element that causes the movie to fall short of satisfying.
Captain Marvel offers a smart answer to a hard storytelling question: how do you make a compelling movie about the world’s strongest hero?