Storytelling
Is Booksmart One of the All-Time Best High School Comedies?
Booksmart, Olivia Wilde’s directorial debut, is a glorious mess, just like its characters… and it works.
Storytelling
Game of Thrones’s Biggest Surprise of All Was… a Satisfying Ending?
The final episode of Game of Thrones leaves no one entirely happy… and for that’s exactly the way it should be.
Storytelling
How “The Bells” Ruins Several Major Character Arcs in Game of Thrones
In the penultimate Game of Thrones episode “The Bells,” the show explores the ugly side of war, power, and consequences — but is it good storytelling?
Storytelling
Why Game of Thrones’ Battle of Winterfell Is Such Disappointing Storytelling
In “The Long Night,” Game of Thrones — a story built on unpredictability, mystery, and sacrifice — has now completely diverged from what made it great.
Storytelling
How Avengers: Endgame Succeeds on the Strength of Marvel’s Character
Avengers: Endgame owes its success to one word: character.
Storytelling
This Lazy Dialogue Habit Is Making Game of Thrones Funny By Accident
Overusing this soap opera writing trope will turn your story’s drama into comedy.
Storytelling
The Unfortunate Lesson Storytellers Should Learn from Missing Link
Laika’s biggest animated fim is missing a crucial element that causes the movie to fall short of satisfying.
Storytelling
The 3 Biggest Storytelling Problems in Shazam!
A hero is only as good as his villain, and that’s where Shazam’s plot problems start.
Armchair Sociology
Steve Harrington, Jaime Lannister, and the Real Secret to Writing a Redemptive Character Arc
How did Steve Harrington become one of the most popular characters on Stranger Things?
Storytelling
53 Reactions from a Drunken Viewing of Mortal Engines
Mortal Engines may be one of 2018’s biggest box-office bombs, but it didn’t have to be. Here’s the key ingredient the movie forgot to include.