From Lost to Game of Thrones to The Rise of Skywalker, the “mystery box” style of storytelling is coming up short. Here’s why — and how to fix it.
Booksmart, Olivia Wilde’s directorial debut, is a glorious mess, just like its characters… and it works.
The final episode of Game of Thrones leaves no one entirely happy… and that’s exactly the way it should be.
In the penultimate Game of Thrones episode “The Bells,” the show explores the ugly side of war, power, and consequences — but is it good storytelling?
In “The Long Night,” Game of Thrones — a story built on unpredictability, mystery, and sacrifice — has now completely diverged from what made it great.
Avengers: Endgame owes its success to one word: character.
Overusing this soap opera writing trope will turn your story’s drama into comedy.
Laika’s biggest animated fim is missing a crucial element that causes the movie to fall short of satisfying.
Captain Marvel offers a smart answer to a hard storytelling question: how do you make a compelling movie about the world’s strongest hero?